Opulent and dramatic; two adjectives that define Teatro Alla Scala to the bone. Released in the mighty 80's, Teatro, like many Italian fragrances of the era, came to compete with orientals such as Coco and Opium, the blockbusters that defined spices, debauchery and shoulder pads. But Teatro has more drama going for it. Amidst the spices, incense and resins, there's hot blooded temperament a la Italiana. A magnificent beeswax note that hasn't been replicated and a very animalic base. It's not just an oriental; the flowers, carnation primarily, are on fire. There's a deep winey tonality and an amazingly potent civet note that dirties up the base notes suggesting what will be revealed as soon as the furs and lamé dress come off. Smoke, deep red roses, carnation, honeyed beeswax, incense, civet! A syrupy nectar, a spicy ménage a trois; If Coco goes to the theatre and Opium to Studio54, Teatro goes to the opera and then to a slinky hotel room to have wild sex. Unapologetically potent and languid, it made sure that Krizia was on the map along with K, a beautiful aldehydic floral launched earlier. No doubt woman, it is a mighty oriental for men as well; no sugar, no fruity frou frou. Evocative, sensual, and sexual, the animal that growls inside the slightly kitsch faux tortoiseshell splash bottle is one of the most beautiful perfumes of the decade. Forgotten but very easy to come by, and much cheaper than Coco or Opium, it is a must try for fans of vintage orientals. Both edt and edp (very similar and equally strong btw) offer humongous sillage and longevity. Do seek it out before it's all gone. Review based on 1985 bottles of edt and edp.