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Very prominent geosmin, infusing a complex bed of herby, mouldy, green, camphorous nature. Very interesting but possibly not very wearable. Undeniably high quality olfactory art. Update - I had to remove the card strip from my living room as the geosmin smell was so nuclear. Too much!
Last Season smells like what lives a bit deeper underneath the forest floor, the private teeming dark where mycelium threads wind through soil and small creatures conduct their business and pleasure and what-have-you under stones. Turn over a log, and there is a damp organic exhale, a little sneezy-shocking, a little sweet, something that was quietly happening without you and will resume the moment you put the log back. There is almost a campfire quality to it, not fire exactly, not the flame or the heat, but rather the ash settling back into earth, smoke absorbed into whorled bark and cool moss, and the soft bodies of things. This is the world Rien Poortvliet painted with such weird, goodnatured curious devotion, gnome lore, the integration of decay and domesticity, a hearth fragrant with leaf rot and good dark earth, a home where the worms are neighbors and the beetles are confidants and the mold on the rafters has been there longer than anyone can remember and belongs there, it practically holds the place together! This particular gnome has a tender heart and a melancholy streak and knows all the words to all the Cavetown and Haley Heynderickx songs and probably writes poetry about the smell of rain in autumn, the silhouette of a lone, tremulous dandelion on a late summer evening.