रिलीज़ तिथि
इत्र निर्माता
ब्रांड
यह सिग्नेचर सुगंध है
एक खुशबू एक समय में इनमें से सिर्फ़ एक सूची में रह सकती है। दूसरी सूची चुनने पर वह उसमें चली जाती है। आपकी कस्टम सूचियाँ अलग हैं।
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समीक्षाएं
क्या आपने इस सुगंध को आज़माया है?
अपना अनुभव साझा करें और दूसरों को शानदार सुगंध खोजने में मदद करें
In Venice Rococco, the wedding party dissolves into wolves, but their powdered costumes and countenances still hang in the air – rice-white, chalk-soft, cloud-thick, falling like snow in a fairy tale gone corrupt and perverse. Powder piles in drifts against the walls, powder floats in sheets through candlelight, powder settles like ash on abandoned masks, powder dusts every surface until the mirrors suffocate in white. The scent floats between reality and nightmare, each breath drawing in more sweet, choking powder. Underneath all those layers of white lies something wild – teeth behind the powder puff, claws stirring up fresh clouds with every step. This is what's left at the banquet table after the cursed aristocrats' lycanthropic transformations, their abandoned feast drowning in drifts of violet-white dust, confections and silverware scattered like bones beneath a blanket of perfumed snow.
In Venice Rococco, the wedding party dissolves into wolves, but their powdered costumes and countenances still hang in the air – rice-white, chalk-soft, cloud-thick, falling like snow in a fairy tale gone corrupt and perverse. Powder piles in drifts against the walls, powder floats in sheets through candlelight, powder settles like ash on abandoned masks, powder dusts every surface until the mirrors suffocate in white. The scent floats between reality and nightmare, each breath drawing in more sweet, choking powder. Underneath all those layers of white lies something wild – teeth behind the powder puff, claws stirring up fresh clouds with every step. This is what's left at the banquet table after the cursed aristocrats' lycanthropic transformations, their abandoned feast drowning in drifts of violet-white dust, confections and silverware scattered like bones beneath a blanket of perfumed snow.
In Venice Rococco, I am reminded of that iconic scene in The Company of Wolves, and my imagination takes care of the rest: the wedding party dissolves into wolves, but their powdered costumes and countenances still hang in the air – rice-white, chalk-soft, cloud-thick, falling like snow in a fairy tale gone corrupt and perverse. Powder piles in drifts against the walls, powder floats in sheets through candlelight, powder settles like ash on abandoned masks, powder dusts every surface until the mirrors suffocate in white. The scent floats between reality and nightmare, each breath drawing in more sweet, choking powder. Underneath all those layers of white lies something wild – teeth behind the powder puff, claws stirring up fresh clouds with every step. This is what's left in the powder room after the cursed aristocrats' lycanthropic transformations, their perfumed wigs drowning in drifts of violet-white dust, the air so thick with powder it erases the line between beast and beauty.