Viole Nere from Meo Fuschiuni is a wistful Rilke poem of a violet. I will say I really love violet, though most I’ve encountered smell very similar, dainty, and delicate in either a powdery or an earthy spring rain-way. Viole Nere, while similarly subtle, presents differently than those nostalgic candied pastilles or small, damp purple blooms. It’s the gossamer violet bruised and thrumming ache of never-quite-becomings, the bittersweet vetiver musk of breathless possibilities half-glimpsed, the gentle, patchouli decay of late autumn’s dying reminder that things unlived also have their season, their own quiet beauty. A melancholic wisp of frankincense dissipates like phantom ink on pages no one will ever read, an ode to a beloved who never arrived, who was lost from the start.
Viole Nere from Meo Fuschiuni is a wistful Rilke poem of a violet. I will say I really love violet, though most I’ve encountered smell very similar, dainty, and delicate in either a powdery or an earthy spring rain-way. Viole Nere, while similarly subtle, presents differently than those nostalgic candied pastilles or small, damp purple blooms. It’s the gossamer violet bruised and thrumming ache of never-quite-becomings, the bittersweet vetiver musk of breathless possibilities half-glimpsed, the gentle, patchouli decay of late autumn’s dying reminder that things unlived also have their season, their own quiet beauty. A melancholic wisp of frankincense dissipates like phantom ink on pages no one will ever read, an ode to a beloved who never arrived, who was lost from the start.