I don’t dare read any other reviews of Chanel no. 19, because I’m almost certain that everything that can be said or written about it already has been explored at length. It’s an endeavor both frustrating and intimidating. But then I have to remind myself that I don’t have to be an expert or a guru or ensconced in academia or have years of scholarship under my belt in order to share my thoughts on something so profoundly subjective as fragrance. You Don’t Have To Know Everything About Something In Order To Love Something. I’m not delving into the history of a scent or a house or a nose, I’m not deconstructing the notes and the ingredients; I have absolutely no interest in that, and quite frankly, you can find that elsewhere. I’m just trying to tell you what I think something smells like. So. I’ll tell you that I adore this scent. Intensely sharp and dry and green, with the earthy, rootsy powderiness of iris, the acrid verdancy of galbanum, and vetiver’s leathery grassy woodiness, and that sour metallic tang and bitter effervescence that I always attribute to old costume jewelry; note-wise, I’m not sure where that comes from, but it seems to be a hallmark of these classic fragrances. And it subverts that refined elegance with a punky funk that elevates it to something that feels timeless as opposed to a bit stodgy. The marvel of this scent is its gloomy luminosity, how it's both austere and achingly tender at the same time. It makes me feel a deep nostalgia and melancholic longing for something that never was, for a past I never lived.
I don’t dare read any other reviews of Chanel no. 19, because I’m almost certain that everything that can be said or written about it already has been explored at length. It’s an endeavor both frustrating and intimidating. But then I have to remind myself that I don’t have to be an expert or a guru or ensconced in academia or have years of scholarship under my belt in order to share my thoughts on something so profoundly subjective as fragrance. You Don’t Have To Know Everything About Something In Order To Love Something. I’m not delving into the history of a scent or a house or a nose, I’m not deconstructing the notes and the ingredients; I have absolutely no interest in that, and quite frankly, you can find that elsewhere. I’m just trying to tell you what I think something smells like. So. I’ll tell you that I adore this scent. Intensely sharp and dry and green, with the earthy, rootsy powderiness of iris, the acrid verdancy of galbanum, and vetiver’s leathery grassy woodiness, and that sour metallic tang and bitter effervescence that I always attribute to old costume jewelry; note-wise, I’m not sure where that comes from, but it seems to be a hallmark of these classic fragrances. And it subverts that refined elegance with a punky funk that elevates it to something that feels timeless as opposed to a bit stodgy. The marvel of this scent is its gloomy luminosity, how it's both austere and achingly tender at the same time. It makes me feel a deep nostalgia and melancholic longing for something that never was, for a past I never lived.