The composition combines jasmine, cashmere wood and amber, and is clearly aimed at those who favour stronger, more expressive fragrance profiles. It is creamy and dense, yet linear, with little evolution over the course of wear. The scent projects well and lasts on the skin for around eight hours. Some love it for its magnetism and character, while others dislike it because of its intensity.

its a real journey back to childhood and growing up in the 90s. From the very first moment, it almost takes your breath away with the scent of cheap nail varnish, exactly the kind you used to buy at the corner shop, without a second thought and without caring that it smelled of pure solvent. After a while, the sweetness of raspberry syrup, sugar and plastic emerges, creating a familiar, almost tangible atmosphere of carefree years. It recalls fruit-scented erasers, pastel coloured pens and perfumed note papers that we used to swap with friends and carefully collect in albums. In the dry down, the composition softens and becomes warmer and more musky, with a subtle touch of bitterness, like a memory that gains depth over time. The whole experience is deeply nostalgic and genuinely moving.On my skin, the longevity is around three hours, with moderate projection, like the scent of memories that doesn’t shout, but quietly stays close by.

This fragrance has a distinctly summery vibe. It takes me back to my grandmother’s house, where on warm summer afternoons I used to sit on the porch, with the air filled with the scent of blooming peonies and blackcurrant bushes from the garden. Marbella opens with a delicate rose and tart blackcurrant, before gently developing into nuances of peony and aromatic green tea. In the base, a creamy peach emerges, the type you often find in body lotions, enhanced by a subtle touch of musk. Overall, the scent is pleasant and unobtrusive. On my skin, it lasts for around three hours and sits close to the skin. Marbella is best suited to hot summer days, when it can softly radiate from sun warmed skin.

It is a unisex blend of saffron, musk, ambroxan and incense. The fragrance is clean, cool, intriguing and attention grabbing. It brings to mind an operating theatre, most likely due to the noticeable bandage-like nuance. However, it does not remind me of BR540, Baccarat is sweet, whereas here the saffron is distinctly dry and austere. The musk blends beautifully with the incense accords, and the whole composition resonates very well on the skin. Longevity and projection are very good, although the scent can become slightly overwhelming if over applied.

fragrance opens with fruity and lightly spicy notes, with clear hints of mandarin, blackcurrant and a touch of pink pepper. After a short while, the fruity accords smoothly evolve into a soft, non overpowering jasmine and rose, which remains fresh rather than sweet. Unfortunately, I do not detect any lily of the valley. In the base, musk and vanilla emerge alongside a subtle hint of patchouli, which fortunately does not dominate the composition. On my skin, the longevity is around three hours, while on clothing the scent lasts noticeably longer. Projection is moderate. It is an ideal everyday fragrance and a safe blind buy, pleasant and easy to wear, though not particularly distinctive.

It is a very feminine, though formally unisex, combo that blends creamy sweetness with floral and oriental accents. The fragrance opens with juicy mandarin, softened by a light touch of tuberose. After several minutes, a rich blend of gardenia, jasmine and iris emerges, creating a soft, lightly powdery aura. The base is built around warm vanilla, enriched with sandalwood and vetiver. The scent is often compared to Black Opium, though it is considerably lighter. At times, it also reminds me of Metallique by Tom Ford. Longevity is around eight hours, with moderate projection.

It’s a very pleasant woody spicy unisex combo, leaning masculine. It opens with notes of cardamom and pink pepper, before osmanthus, suede and sandalwood come to the forefront. Oud is used very sparingly here, and this is certainly not a heavy, barnyard style oud. The composition is dry and refined, yet enjoyable and very wearable. The fragrance has good projection, but after around six hours it settles closer to the skin.

It’s the quintessence of French chic in a lighter interpretation. The fragrance opens bright and refreshing, with citrus notes of mainly mandarin and bergamot, which give the composition lightness and freshness. This is followed by jasmine, rose and orange blossom, amplified by a touch of clove, this stage feels unmistakably Chanel. Woody notes, patchouli and vetiver form a dry, elegant base. Overall, the scent is warm and refined, yet close to the skin, with subtle projection. Longevity is around six hours. Good to use once in a while but I’m not a fan of it. 

It’s a cheap and cheerful fruity floral scent, delicate and girly. It opens with mandarin that has a lightly candied character, likely thanks to macaron and pistachio notes. Later on, florals come to the forefront, while the base reveals musk sweetened with a hint of candy floss. Longevity is around three to four hours and the projection is rather soft, but at this price point you can happily reapply as often as you like. It’s a safe blind buy, perfect for everyday wear and the office.

It is a clean, comforting fragrance that gives a sense of freshness. It opens with a bright note of ginger and orange blossom. This is followed by musk intertwined with a delicate touch of salt and creamy ylang ylang. The base has a warm, woody and resinous character. On my skin, longevity is between eight and ten hours, with moderate projection. It is a safe, easy to wear fragrance that works very well for everyday use.